ethnomusicology

Endangered Music Project – Music for the Gods

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A few years ago now, Smithsonian Folkways Recordings released the ‘Mickey Hart Collection‘ to preserve and further Hart’s efforts to cross borders and expand musical horizons. Many of Hart’s music projects are now available online.

The Collection begins with a set of albums that include those six forming the “Endangered Music Project,” a collaboration between Hart and the American Folklife Center at the Library of Congress that presents recordings from musical traditions at risk. Here’s one, The Fahnestock South Seas Expedition: Indonesia.

In Hart’s words:

Music is our talking book, our portal to the spirit world. I hope you will enjoy these audio snapshots of my musical journey. Our new technologies are part of a powerful civilization which is rapidly transforming the world around us. It changes the environment, often in ways that endanger the delicate ecological balance nature has wrought over the millennia. It also brings radical change to cultures. Sometimes that change is empowering. But all too often it endangers precious human ways of life, just as surely as it endangers the environment within which those ways of life flourish. This series is dedicated to the hope that with education, empathy, and assistance, imperiled cultures can survive.

“They don’t die, they’re killed”: The thorny rhetoric around music endangerment and music sustainability

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 In a recent edition of the SEM newsletter, Robert Garfias reflected on the issue of music endangerment:

[L]ike biological diversity, species are disappearing, languages are disappearing. And in a sense cultures are disappearing. Every few years some­body dies who was the last person who knew how to do something or other; the last person who did this or the last person who knew this tradition dies. And when that species dies, you can’t reconstruct it, you can’t bring it back. So I’m concerned about the things that are being lost forever. . .it’s terrible to lose something. (in Rice, 2014, pp. 7–8)

As the viability of music genres features increasingly as a topic for (applied) research in our discipline, it is important to keep a close eye on the way we characterize the issue. The words we choose—the rhetoric, the metaphors and analogies—reflect and reveal certain values and assumptions, and for this reason warrant careful consideration. Perhaps even more critically, they affect whether and how we take action against a perceived threat to, or loss of, music genres (for example by supporting communities to reinvigorate intergenerational transmission, secure funding, grow governmental support, or engage the media or music industry).

Read the full article on the Sound Matters blog.